'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES 'IMMERSIVE AND COMPELLING' DAVID KYNASTON 'A PAGE-TURNER' ROBERT LACEY A brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham. On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England. Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England. Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers. With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer? One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement. 'CAREFUL AND COMPELLING' KATE MORGAN 'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND 'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNOR

'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES 'IMMERSIVE AND COMPELLING' DAVID KYNASTON 'A PAGE-TURNER' ROBERT LACEY 'CAREFUL AND COMPELLING' KATE MORGAN 'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND 'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNOR A brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham. On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England. Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England. Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers. With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer? One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement.

Resolving Business Disputes will give company directors, business executives and other commercial decision-makers a unique and essential insight into how to resolve business disputes and to reach the best outcomes by making effective decisions. The book is also aimed at dispute resolution lawyers, litigation funders and insurers. It is a guide, explaining the unique choices created by commercial conflict, basic workings of the law about disputes, the main avenues of dispute resolution, the forecasting of litigation outcomes for cases going to court, the funding of legal cases, the management of the risk involved, the creation of a dispute strategy, how to make the best use of legal advice and how to negotiate effectively. Finally, by using objective criteria the guide explains how to decide whether to end a dispute by negotiated settlement or by taking a case all the way to a court judgment or other conclusion. In view of the profound implications of Covid-19 for trade and commerce, the book also contains an introduction to key issues raised by the pandemic for the resolution of contract disputes.

Herbert Asquith was a Liberal politician and prime minister from1908-1916. Asquith's administration laid the foundation of Britain's welfare state, but he was plunged into a major power struggle with the House of Lords. The hereditary upper chamber vetoed the budget of 1909, and in 1910 Asquith called and won two elections on this constitutional issue, and the Lords eventually passed the 1911 Parliament Act, ending their veto of financial legislation. Asquith was Prime Minister on the outbreak of World War I, but his government fell in 1916 as a result of the 'Shells Scandal'.

Black-box machine learning models are now routinely used in high-risk settings, like medical diagnostics, which demand uncertainty quantification to avoid consequential model failures. Conformal prediction is a user-friendly paradigm for creating statistically rigorous uncertainty sets/intervals for the predictions of such models. One can use conformal prediction with any pre-trained model, such as a neural network, to produce sets that are guaranteed to contain the ground truth with a user-specified probability, such as 90%. It is easy-to-understand, easy-to-use, and in general, applies naturally to problems arising in the fields of computer vision, natural language processing, deep reinforcement learning, amongst others. In this hands-on introduction the authors provide the reader with a working understanding of conformal prediction and related distribution-free uncertainty quantification techniques. They lead the reader through practical theory and examples of conformal prediction and describe its extensions to complex machine learning tasks involving structured outputs, distribution shift, time-series, outliers, models that abstain, and more. Throughout, there are many explanatory illustrations, examples, and code samples in Python. With each code sample comes a Jupyter notebook implementing the method on a real-data example. This hands-on tutorial, full of practical and accessible examples, is essential reading for all students, practitioners and researchers working on all types of systems deploying machine learning techniques.

The Anglican Communion is in turmoil. One of the great historic pillars of Christianity, embraced by 70 million people in 164 countries, faces the real and immediate possibility of dismberment, as the spectre of schism looms ever closer. Yet why is gay sexuality the tinderbox that could rip the Anglican Communion apart, and put an end to a century-old and hugely-prized international unity, when such contentious issues as the ordination of women, or unity discussions with other churches, failed to cause a split? In answering this question, Stephen Bates will show that unity has been coveted by some above integrity, and has been the cause of vicious infighting and internal politics. In the run-up to publication of A Church At War the author will be in the front line, as he files regular reports on the twists and turns of battle. His eagerly awaited book will be the only one to assess the current state and historical context of the row, the strengths and weaknesses of the protagonists' positions, and the tactics that they are employing to win the day. A Church At War promises compelling insights into a power struggle between factions seemingly united only by their mutual antipathy, and conducted, paradoxically, in the name of true communion.'

Following Papers and Papers 2, the third volume in the series contains papers written by Jonathan Sergison and Stephen Bates between 2008 and 2014. Illustrated with photographs and drawings, the papers focus on some of the themes that are at the heart of the work of Sergison Bates architects and their approach to architectural practice, such as domesticity, typology and density.

The story behind the 1940s Commission on Freedom of the Press-groundbreaking then, timelier than ever now "Bates skillfully blends biography and intellectual history to provide a sense of how the clash of ideas and the clash of personalities intersected."-Scott Stossel, American Scholar "A well-constructed, timely study, clearly relevant to current debates."-Kirkus, starred review In 1943, Time Inc. editor-in-chief Henry R. Luce sponsored the greatest collaboration of intellectuals in the twentieth century. He and University of Chicago president Robert Maynard Hutchins summoned the theologian Reinhold Niebuhr, the Pulitzer-winning poet Archibald MacLeish, and ten other preeminent thinkers to join the Commission on Freedom of the Press. They spent three years wrestling with subjects that are as pertinent as ever: partisan media and distorted news, activists who silence rather than rebut their opponents, conspiracy theories spread by shadowy groups, and the survivability of American democracy in a post-truth age. The report that emerged, A Free and Responsible Press, is a classic, but many of the commission's sharpest insights never made it into print. Journalist and First Amendment scholar Stephen Bates reveals how these towering intellects debated some of the most vital questions of their time-and reached conclusions urgently relevant today.

Up to date and informative, the Yearbook of Copyright and Media Law is now well established as a key source of information and analysis for all copyright, media and entertainment law professionals. It is is designed to respond to practical developments and problem areas such as the Internet and Multimedia while also making a serious contribution to copyright and media law as a legal discipline. The central feature of the Yearbook is the range of annual surveys prepared by expert practising lawyers. Covering all issues from copyright, trademarks, licensing societies and new technology to libel, contempt of court and music contracts, the surveys contain considered and thorough analysis of the most recent developments in the UK, the EC, and beyond. The special survey in this yearbook focuses on definitions of film and there are in-depth articles on topical subjects such as the Microsoft judgment and the impact of The Human Rights Act and the Data Protection Act.

Media and Entertainment Law is a fast growing sector of practice in the EC, and in the UK in particular. The emergence of multi-media law has raised a large number of novel conceptual and practical difficulties for lawyers specialising in the area. The Yearbook is designed to respond to these practical difficulties while also making a serious contribution to media law as an area of serious academic study. It contains high quality analyses of topical issues, as well as thorough surveys of key areas of practice. Up to date and informative, the Yearbook is now well-established as a key source of information and analysis for all media and entertainment law professionals.

A set of antique photographic plates is the key to uncovering hidden truths of the Civil War, Great Depression, and 9/11 eras in this “unflinching� novel (Publishers Weekly). A teenage boy and his grandfather travel across America to attend that last great reunion of Civil War veterans at Gettysburg in 1938, where secrets and lies are revealed about the old man’s past. Perhaps he was not the hero his grandson thought, but he still has a valuable treasure to reveal, which will shed intriguing light on the war and his part in it. Interweaving three periods of crisis in American history—the Civil War, the Depression, and 9/11—The Photographer’s Boy explores the power of photography and journalism to inform or mislead; raises questions about love; and offers “an unflinching but sympathetic, often touching, look at the comforting fictions people wrap themselves in to protect themselves from the cold of reality� (Publishers Weekly).

Media and entertainment law is one of the fastest growing sectors of practice in the UK and European Community. Practising lawyers are hungry for information and informed analysis of the latest developments in this fast-moving field. This Yearbook spans the traditional concerns of media lawyers such as free speech and freedom of the press generally, including libel law and contempt of court as well as the core areas of entertainment law practice such as copyright, contracts, licensing and competition. In addition it covers the emerging fields of new technologies, the impact of the much heralded `information highway' upon media law, the effects of European Community initiatives in this area and the ever changing subject of broadcasting regulation. The Yearbook consists of high-quality analytical articles, important annual surveys of developments in all these fields and reviews of recent publications, all of which will be of interest to the practising and academic lawyer.